I spent my day off yesterday at the movies with my favorite movie buddy, word of the day Jennie. It was down to "Easy A" ("No comedy," was Jennie's only stipulation), so we went with "The Social Network" instead. In case you've been living under a rock:
Screen writer Aaron Sorkin ("The West Wing", "A Few Good Men") doesn't try to answer the question that plagues the movie- Who's idea was Facebook?- but instead focuses on what can be known and that is the instances leading up to and following the websites success. Instead of saying the film is inter cut with scenes from the multiple depositions Zuckerberg attended, I would say the depositions are inter cut with scenes from their life. From the dorm rooms at Harvard to the crewing down the Charles River to Silicon Valley to the crescendo that is Facebook gaining 1 million followers, we are there like a fly on the wall witnessing it all. Sorkin will not reveal all of his sources (though it has been well publicized that Natalie Portman, Harvard alum, met with me), only to say that they had details down to what kind of beer they were drinking at what time. That sounds pretty accurate. Still, he never demonizes any one party. Everyone seems to blame in some way for their part in the whole mess.
Eisenberg does a great job as the "asshole" Zuckerberg. I couldn't help but wonder, if this portrayal is in anyway accurate, why no one has raised the argument that he might not be an asshole but rather suffers from Asperger's. He is unable to control what comes out of his mouth, is unaware of how what is said effects others, and further more; doesn't seem to care. He doesn't care about money, but works hard to control and edge out those who helped him rise to billionaire status. His only real relationship was with Saverin whom he reportedly pushed out of the company. Infamous Sean Parker (creator of Napster and part owner of Facebook, here played by Justin Timberlake) comes across as money hungry and stupid. He has the genius to recognize good ideas and get them to the right people, but he can't organize his own life. Meanwhile, Saverin never quiet understands the demon that Facebook is becoming and gets left in the dust. Who is to blame? Does it even matter?
My personal demi-god Trent Reznor makes his big screen debut with a score that highlights and supports every scene without drawing attention to itself. You will immediately recognize his signature, but he is smart enough to know when and how it will work in the context of the film.
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